The pottery show in the Peach Gallery will live up to its name, with all manner of planters and platters available for spring purchase. A high school art teacher himself for fourteen years, Pete Halladay has devoted his creative energies full-time to his Paradise Pottery since 2000, creating original tile and architectural installations for homes and businesses across the Western Slope, and teaching students from his home studio. Well-known regionally for his diverse folk-art ceramics, and famous locally for creating the Sunflower Bathroom in the Creamery, Pete brings a new line of raku to the show. Using a variety of forms and decorations, Pete promises some flashy small, medium and large planters. “I’m really into planters now,” he says. “I don’t have to follow any other function except to contain a plant. This frees me up to experiment as a thrower, to play with classic forms, or new severe forms.”
The pottery show in the Peach Gallery will live up to its name, with all manner of planters and platters available for spring purchase. A high school art teacher himself for fourteen years, Pete Halladay has devoted his creative energies full-time to his Paradise Pottery since 2000, creating original tile and architectural installations for
homes and businesses across the Western Slope, and teaching students from his home studio. Well-known regionally for his diverse folk-art ceramics, and famous
locally for creating the Sunflower Bathroom in the Creamery, Pete brings a new line of raku to the show. Using a variety of forms and decorations, Pete promises some flashy small, medium and large planters. “I’m really into planters now,” he says. “I don’t have to follow any other function except to contain a plant. This frees me up to experiment as a thrower, to play with classic
forms, or new severe forms.”
Also in the Peach, Pam Ellison returns to the Creamery after taking a few years away from potting to build a house. After careers in mining and business, Pam studied art in retirement, and has been making pottery since 2002 when she moved here from Steamboat, initially working in the studio of her mentor, Pete Halladay.
The pottery show in the Peach Gallery will live up to its name, with all manner of planters and platters available for spring purchase. A high school art teacher himself for fourteen years, Pete Halladay has devoted his creative energies full-time to his Paradise Pottery since 2000, creating original tile and architectural installations for
homes and businesses across the Western Slope, and teaching students from his home studio. Well-known regionally for his diverse folk-art ceramics, and famous
locally for creating the Sunflower Bathroom in the Creamery, Pete brings a new line of raku to the show. Using a variety of forms and decorations, Pete promises some flashy small, medium and large planters. “I’m really into planters now,” he says. “I don’t have to follow any other function except to contain a plant. This frees me up to experiment as a thrower, to play with classic
forms, or new severe forms.”Also in the Peach, Pam Ellison returns to the Creamery after taking a few years away from potting to build a house. After careers in mining and business, Pam studied art in retirement, and has been making pottery since 2002 when she moved here from Steamboat, initially working in the studio of her mentor, Pete Halladay.
Also in the Peach, Pam Ellison returns to the Creamery after taking a few years away from potting to build a house. After careers in mining and business, Pam studied art in retirement, and has been making pottery since 2002 when she moved here from Steamboat, initially working in the studio of her mentor, Pete Halladay.
“I love the feeling of having my hands in the clay, just like the feeling I get with gardening,” says Pam, and adds that she is inspired by all potters from ancient through contemporary. “The direction I’ve taken for this show is in texture. I make my own stamps and press them into clay to make a pattern.” Her stamps on earthenware planters and vases combine organic and geometric forms to create
coherent designs on practical pieces, while her glazes range from bright crayola colors to more subdued, earthy tones.
“I love the feeling of having my hands in the clay, just like the feeling I get with gardening,” says Pam, and adds that she is inspired by all potters from ancient through contemporary. “The direction I’ve taken for this show is in texture. I make my own stamps and press them into clay to make a pattern.” Her stamps on earthenware planters and vases combine organic and geometric forms to create
coherent designs on practical pieces, while her glazes range from bright crayola colors to more subdued, earthy tones.
“I love the feeling of having my hands in the clay, just like the feeling I get with gardening,” says Pam, and adds that she is inspired by all potters from ancient through contemporary. “The direction I’ve taken for this show is in texture. I make my own stamps and press them into clay to make a pattern.” Her stamps on earthenware planters and vases combine organic and geometric forms to create
coherent designs on practical pieces, while her glazes range from bright crayola colors to more subdued, earthy tones.